Infinito was born between 1999 and 2001 for Cesame as a synthesis of three design cores—the Bit and Mid sanitaryware series and a family of washbasins—that came together in a single vision: not a closed collection, but an open program. The guiding idea was to offer the end user the ability to compose their bathroom by choosing from elements that share a common grammar (proportion, radius, balanced volumes), while maintaining distinct typological identities. Controlled freedom: coherent, never forced combinations; aesthetic continuity without uniformity. Cesame, in the years that followed, went bankrupt. The series are no longer in production, but the design remains contemporary in its restraint and sobriety. Today, the rights to these families have returned to me: Infinito can therefore be revived by a company wishing to bring it back to the market, with a contemporary positioning and a modular offering that is rare in the current landscape.
The principle
Infinito wasn't created to "fill" a catalog: it was created to organize your choices. It's a program that gives users freedom of composition, but offers consistency pre-defined in its proportions.
Bit / Mid
Bit and Mid share the same formal discipline, but speak with different accents: essential volumes, clear identities, immediate compatibility. The pairing is not a compromise: it's a project.
Today
These series haven't disappeared: they've been suspended. Today, they can be brought back into production by a manufacturer that recognizes the value of a stable, industrial design that still stands out.