An ancient sign that returns to form
Gastone interprets the quatrefoil as a generative matrix. The reference to the four-leaf clover introduces a natural, vital, almost propitiatory dimension; the reference to the quatrefoil windows, on the other hand, evokes an architectural memory that belongs to the history of built space. The project works precisely on this threshold: it does not copy a symbol, but translates it into a three-dimensional organism capable of conveying familiarity and surprise. The final form thus takes on the character of a small, contemporary totem, recognizable but not didactic.